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If the movie is slowed down or altered in any way, an additional tag is required. Acceptable submission title format: Movie Title (Year).No Attribution links, must be a direct link to the video.(discussions in post comments are welcome) Editorialized or obnoxiously long titles will be removed, Use exact titles per IMDb.Filter by decade 1920-1929 1930-1939 1940-1949 1950-1959 1960-1969 1970-1979 1980-1989 1990-1999 2000-2009 2010-2020 Filter by resolution Filter By Genre Action Adventure Animation Biography Comedy Crime Documentary Drama Family Fantasy Film-Noir History Horror Misc/Adult Musical Mystery Romance Sci-Fi Sport Thriller War Western Rules For Posting Kyle Higgins’ character work takes a much needed step as Daniel Bayliss keeps the visual quality high, resulting in an unexpected but no less entertaining installment.No "channel spam'': repeatedly linking to a Youtube channel is not allowed. A character specific aside was a gamble given how last issue ended, but it’s one that pays off due to the book’s assured scripting and dynamite visuals. Higgins’ scripting is strong, but it’s Bayliss’ layered expression that really makes the more poignant moments hit home. His paneling has an almost dreamlike quality to it, with many dips and swirls, but he also knows when to let the character and dialogue speak for itself. Of course, this is a Zordon tale, and Bayliss does a fantastic job of getting the most visible emotion possible out of a rather simple design. Not only that, he even improves on the series’ long running trouble with conveying emotion via human characters, his Tommy nearly boiling with resentment and hate. Prasetya may set the gold standard as far as Ranger accuracy is concerned, but Bayliss more than holds his own here, showing an equally strong eye for layout flow and design. Taking a feather out of Hendry Prasetya’s cap, Bayliss turns in an excellent installment jam-packed with detailed imagery. It’s surprisingly strong stuff, particularly given how last issue ended, but the careful characterization outweighs any immediate need for forward momentum.
Despite being given a front row seat to good intentions gone sour, the Rangers’ leader remains equally assured in his belief in his charges-for better or worse. Tommy’s turn to the Drakkon Side is punctuated by numerous examples of Zordon’s unwavering belief that he can still be redeemed, and Higgins uses that strained relationship to explore that of the story’s primary Zordon. Zordon’s faith in Tommy is a long running theme for this series, and here we see a world where that steadfast belief backfired terribly. Instead, he takes a far more interesting track by making them almost exactly the same. The easy gimmick here would be for Higgins to portray the two mentors as polar opposites, which is what the two worlds appear to be at first glance. Trapped in a place between the two similar but morally different worlds, Zordon serves as an unwitting narrator to the book’s recent events, his stasis allowing him to see-and us to understand-just what happened to the Zordon whose Green Ranger ran astray. It’s that gap that Higgins looks to fill in here, using the missing Zordon as an unlikely bridge. That said, much of what we know about that same world has come via quick blasts of exposition or alluded history, leaving little connective tissue between the Rangers we know and the world they don’t. Though slow in parts, Higgins current arc has easily been the series’ strongest up to this point, and his introduction of an alternate world ruled by a domineering Tommy is a big reason why. Aided by the strong work of fill-in artist Daniel Bayliss, the resulting read is as surprisingly nuanced as it is gorgeously detailed. Kyle Higgins’ latest looks to rectify that, the writer eschewing further advancement in lieu of a fill-in-the-blanks style aside exploring Zordon’s missing moments. Despite being the big head on campus, Zordon has largely taken a backseat recently due to all the evil alter-egos hogging the spotlight.